Sydney novelist pledges to vote wearing Hi Vis vest

Hi Vis vestSydney novelist Stuart Campbell took a break from writing today to try on the Hi Vis vest he plans to wear when he casts his vote in Australia’s Federal Election on 2 July 2016.

Interviewed this morning by emerging social commentator Lesley Latte*, Campbell said, “Like the Prime Minister and the Leader of the Opposition on the campaign trail, I like to slip on the Hi Vis when the going gets tough. I’ve come up with some of my best stories wearing this outfit”.

 

You can read more about books written by a man in a Hi Vis vest here.

*Lesley Latte reserves the right not to disclose h** gender.

The memoir that inspired my new novel Cairo Mon Amour – get it here for free.

My third novel Cairo Mon Amour is still under wraps, but I will cairo rations  yellow coverrelease publication details in the near future.

Before I started Cairo Mon Amour, I wrote a memoir called Cairo Rations about  my time in Egypt during the 1973 war, to bring back memories of the settings that I wanted to use in the novel.

I’ve just published a new version of the memoir Cairo Rations, which I am distributing free. Click here to sign up for my newsletter and get a copy of Cairo Rations in pdf, mobi (for Kindle) or epub (for many e-readers).

If you have comments about any of my books, please respond through this blog or by email at stuartcampbellauthor@gmail.com .

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Dave Stanton’s ‘Stateline’ free download for a few more hours

stateline coverI really enjoyed Dave Stanton’s Hard Prejudice earlier this year*.

Dave’s novel Stateline is free on Amazon for a few more hours. Get it right here.

I just downloaded it, and I’ll be reviewing it in the next few weeks.

*My review of Hard Prejudice is here.

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Learn about Stuart Campbell’s books at http://www.stuartcampbellauthor.com

 

 

Diners of the world unite!

with gusto coverHere’s a story of mine from With Gusto! 

Diners of the World Unite!

I had misgivings at the first whiff of Worcestershire Sauce. My order of Cypriot Mushrooms, as it was called, comprised overcooked fungus drowned in half a pint of the sour liquor.

During my English childhood, every pantry had a bottle of Worcestershire Sauce in the larder. The old-fashioned label suggested colonial gents in the era of the Raj, sprinkling a few drops of the brown elixir on their breakfast chops. But this brute of a dish was knocked up in a restaurant in the Troodos Mountains, where Mount Olympus watches over ancient Byzantine monasteries. And there was the main course still to come.

This and many other meals have helped frame my view that attitudes to national cuisines are as much to do with politics as with alimentation. Let me go back a few decades.

In the early seventies, a shop in London called Habitat started selling little kits of curry spices. You could buy the same spices in Indian and Pakistani grocers if you cared to enter such a store, but people like me – white people – didn’t. Habitat was the precursor of the cool homewares stores that are nowadays ubiquitous. It was one of the first shops to sell a lifestyle of lightness, quirkiness, ultra-modernity, pop art colours, brushed aluminium. The curry spices were emblematic of the Habitat lifestyle: Adventurous but safe, the Orient without the runs.

If I’d been a clairvoyant I’d have known that in 1978, the Palestinian-American scholar Edward Said would publish his Orientalism, in which he theorised that Europeans had invented the notion of the Orient as a means of asserting the cultural dominance of the colonisers over the colonised. I’d have considered with foresight – in 1973 – that in cooking up a Habitat Chicken Korma, I – along with people like me – was one of a new breed of colonialist. We were remodelling a cuisine using a limited range of ingredients, cooking methods and named dishes; we were turning the gastronomy of a vast and varied land into three curries: Korma, Madras and Vindaloo, with a spoonful of Sharwood’s to garnish. The depressing thing was that Habitat curry was tasteless. You’d get a much more satisfying feed at the local Paki with its maroon flocked wallpaper, Bombay Duck, and cold lager.

But the taste of culinary conquest was on my lips, and those of many of my friends: Over the decades we colonised new cuisines: South Indian, Thai, Vietnamese, Egyptian. Our spice racks were full, our veggie plots sprouted galangal and coriander. Our kids learned to use chopsticks before they enrolled in school. When we travelled we learned new variants, discovered pockets of cuisines we hadn’t conquered, rooted out new stinky delicacies to surprise our dinner guests back home.

My finest moment was, I think, in about 2002, when I cooked Indonesian food for twenty guests at my house in the Blue Mountains. Perhaps it was the big Mudgee reds being sloshed back that night, but I didn’t see the irony of a table of Australians eating Javanese street food while they competed to read the verse of William McGonagall in their best Scottish accents.

It was when I lived in the Blue Mountains that a critical light was shone on my immature postcolonial sensibilities. If you look at census figures for the Blue Mountains, you will discover that the area has a minuscule Asia-born population. From a culinary point of view, this was brought home to me when I found that the waiters in a local Chinese restaurant were Europeans. My first reaction was that I had been cheated; shouldn’t Chinese restaurants be staffed by Chinese people? How could the food be authentic?

And this from the white guy who had mastered – or perhaps remastered – half a dozen national cuisines ranging from the Atlas Mountains to the Yangtze River. This was the white guy who was just beginning to understand that eating is political. I hadn’t learned those Oriental cuisines; I’d invaded them, pillaged them, and brought them home as trophies.

I’ll go a little further with my postcolonial analysis, and claim that white guys like me only conquered the cuisines of the colonised world, or of the bits that we would have liked to colonise. I am persuaded of this by the fact that the acquisition of French culinary expertise is seen as difficult, and part of the learning of high culture; indeed we talk about haut cuisine. Anyone can make Indian food, but French – that takes real art, n’est-ce pas?

And so I found myself in Cyprus, yet to taste Cypriot Mushrooms, travelling with a companion who had lived there as a child and still cherished sweet memories of the food. We started our journey in the southern Greek part of the island where, my companion told me, we’d wander the beachside food stalls in the evenings seduced by the fragrance of lamb kebabs grilling on charcoal braziers. The tender pink meat, singed at the edges, would snuggle up against yoghourt and mint in warm pocket bread.

Perhaps that was the case then. Now there was pork, lots of the stuff, white and fibrous and dry, tasting of almost nothing. And there were cappuccinos topped with aerosol cream and powdered cinnamon. It was time to go north.

We crossed the border by car and meandered through the northern part of Cyprus, enjoying delicate pastel tinted Turkish food as well as robust tourist grub. The fourth day found us crossing back into the Greek south; we would cruise down the Troodos Range and end up at Paphos, where we were to stay with family. It was the end of the tourist season and the fragrant pine clad hillsides were still pleasantly warm. We stopped to look at exquisite little churches – squat and rough-walled, interiors painted with glorious two-dimensional depictions of saints. The roads were empty.

Our accommodation – a tiny hotel carved into rock walls – had been booked long in advance in our usual neurotic fashion. We were the only guests, we were told in the troglodytic reception niche. And the restaurant was closed for the year. Try down the hill. They’re still open.

Taking the winding cobbled lane past shuttered windows, spilling geraniums and sleeping cats, we met a sweating couple passing us on the climb up – English, middle-aged, underdressed and red. A single scooter clattered by and was gone.

The restaurant was one of those sadly anachronistic places, a faded faux Swiss chalet, out of place, out of time.

“I bet there’s a huge menu,” I said.

There was. It was half a yard across, cracked and stained, the plastic coating having given up the fight against greasy fingers. There was a large ‘local specialities’ section, a small burger-and-chips list, and unexpectedly, a standard Indian selection of Korma, Vindaloo and Madras. We were the only diners.

“Does it get busy later?” my companion asked the waitress.

“Not really. It is not so full this time of year,” she replied. What was her accent? Not Greek, I thought.

“I’m famished. I’m having an entrée first,” I said to my companion.

“You might regret it. I’ll just have the fish.”

My culinary antennae were bristling: A Greek restaurant, notwithstanding the curry and burgers. Might I get something resembling honest Greek grub of the kind my companion remembered from her girlhood?

When the waitress brought me a pint of lager (“You’ll be full up before the food comes,” my companion said) I asked the young woman if she was from the village.

“I’m from Romania.”

“How interesting,” I lied. “Is the chef from round here?”

“He’s from India.” Aha, that explained the curries.

A little more questioning revealed that the regular Greek chef had finished for the season. The Indian guy in the kitchen was filling in till tomorrow.

“What happens tomorrow?”

“The restaurant closes for the season.”

“What does he normally do?”

“He cleans the place. He drives the van.”

And so I found myself with two pints of lager on board, and before me a bowl of mushrooms braised in Worcestershire Sauce. It was as vile as it looked and smelt.

“You’d better eat it. You’ve got to pay for it,” my companion sniggered.

I consumed the solids.

My companion’s fish arrived – light and reasonably edible, she reported. But there was no so sign of my ‘Cypriot Meat Platter’. I had another pint of lager.

When at last the dish arrived – enough for four diners – I guessed that the ‘chef’ had cleared out all the remaining meat in the freezer, laid it out on a zinc slab – lamb chops, pork cutlets, cowboy steaks, sausages – and run a blowtorch up and down the row.

I miserably picked at the charred edges of something.

“Serves you right. Why don’t you send it back and ask for something else?” Did I detect the mildest hint of schadenfreude?

Later I said, “Next time we’ll find a Greek restaurant with a Greek chef.”

“You know that’s nonsense. Half the Italian restaurants in Sydney are run by Anglos, not Italians.”

She was right of course.

“Why don’t we just find a restaurant with a chef?” I said.

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You can buy With Gusto!  here, a collection of stories and essays by the Write On! writers group in Sydney.

Learn about Stuart Campbell’s books here.

 

The secret recipe behind a successful writers group?

with gusto coverIn my fourth year with the Write On! writers group in Sydney, it’s time to reveal the ingredients. The basics are simple: A committed convenor, eight writers, a weekly three-hour meeting, and a room in the NSW Writers Centre.

But turning the basics into a successful writers group takes more than just a quick stir and a bit of heat. Here’s my attempt to list the secret herbs and spices:

Simplicity: We do the same thing every week: Each writer reads aloud 1000-1500 words of their work in progress. The rest of us listen and annotate the handout of the text, and then go round the circle giving our critique. We’ve tried varying the model on the odd occasion, but we always revert to the basics.

Time management: We don’t waste time chatting about the weather or politics. We keep a firm but not too firm eye on the clock to make sure that everybody’s work gets a fair exposure.

Diversity: Our group includes traditionally published and self-published writers, as well as what we like to call ‘emerging’ writers. We cover novels, nonfiction, memoir, and poetry. Our novels probably cluster around the upper ranks of ‘general fiction’, but we have our fingers in thrillers, chick lit, historical periods spanning two thousand years, and lots of exotic locations. Our members are professionals, working or retired, with backgrounds in business, diplomacy, academia, design, nutrition, and other areas.

Honesty and respect: It’s not unusual for a few of us to go home each week having been told that what we’ve read is a pile of junk. Inevitably, someone else will go home with a D-minus the following week. We are honest in our critique, and we respect the opinions of our work. It isn’t always easy: I kept bringing back to the group a chapter of ponderous claptrap, cutting bits off each time until just a couple of sentences of the original remained.

Humour: This is reserved mainly for sex scenes. Most weeks we laugh our socks off. Especially when togas are involved.

Leadership: Our convener has been running this group since 2009, and our turnover of members is very small. She maintains it as a closed group, so you have to apply to join when we have a vacancy, and you are admitted only after a trial period. Exclusive and cliquey? Yep!

In my four years with Write On! I have written three novels. About fifty percent of my output went through the critical grinder in our room at the NSW Writers Centre, and it came out fifty percent better. I’m still searching for that final secret ingredient of our success. Is it the serenity of the Centre itself in a Victorian era sandstone building, part of the former  Callan Park Hospital for the Insane? We work surrounded by parkland.  The chairs are uncomfortable. There is no coffee shop. No distractions.

Or is is just serendipity? That sweet spot in life when the right group of individuals comes together with a common aim? I’ve experienced this a couple of times: The brief golden era of a community theatre I once belonged to; the early years in the foundation leadership group of a School in a university I worked at. It’s rare, but you know when you come across it.

I’d be delighted to hear of other experiences of writers groups: Feel free to reveal your secrets.

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You can buy the Write On! writers group collection of essays With Gusto! here.

Learn about Stuart Campbell’s books at http://www.stuartcampbellauthor.com