Bury me in Valletta hits #26 in Amazon Australia Espionage Thrillers

Click here for vendor links – Amazon, Apple, Kobo

Bury me in Valletta novel by Stuart Campbell

Five ways to create a femme fatale in your novel

noir, romance book, femme fatale, cairoThe Pierre Farag Espionage Thriller series is now a trilogy. Book 1 Ash on the Tongue is free to download here. Book 2 Cairo Mon Amour is published here, and Book 3 Bury me in Valletta will be published in early 2020.

If I were name my favourite character in the trilogy, the prize would go to  femme fatale Zouzou Paris. Here’s how to create your own Zouzou:

Give her a mysterious name

Just as Mata Hari’s real name was Margaretha Geertruida Zelle MacLeod, Zouzou didn’t start life as Zouzou. Her real name was Aziza FarisZouzou is an affectionate form of Aziza. It only needed a slight adjustment for Faris to become Paris* when she became a film star and decided to give herself some French mystique.

Give her a tragic past

Zouzou’s parents died in a car crash when she was eighteen. A friend of her father took her under his wing. “A peculiar variety of friend,” she said darkly, describing how the man had helped her into the film industry, where she became a plaything of his business friends. “It was sordid and exciting at the same time. The attention of rich men made me the envy of my fans. But while they envied me, they hated me too. It is the fate of women like me.”

Give her an ambiguous morality

Although she was known in Egypt as ‘the national bitch’, Zouzou’s lascivious reputation concealed a different morality. She remained a virgin until she was thirty-three. “A man may gorge on mango when all he has been given is boiled carrot,” she says, explaining how she tricked the old men.

Give her a quirky view of the world

Zouzou has spent her life negotiating deception and lies. “My whole life was a bargain.” Her instinct is to protect herself through obfuscation: “Why tell the truth when an untruth will suffice?” she often says.

Give her a distinctive speech style

Zouzou’s first language is Arabic, although we learn that she also speaks French and Turkish and probably other languages. When she speaks English, I give her a stilted and slightly florid style, e.g. “I had to go to many parties on yachts in Beirut … So many actresses, so many men with creeping hands. You see, sister, I cannot think of a yacht without remembering the caresses of those old fellows.”

Happy writing!   Stuart

###

*For Arabic speakers: Yes, yes, I l know this is cheating and that the vowels in Faaris and Baariis are different!  Let’s keep it bayni wa baynkum!

CAIRO MON AMOUR PAPERBACKS NOW DISTRIBUTED IN AUSTRALIA

I’m delighted to announce that my publisher is now distributing paperbacks in Australia. You can order Cairo Mon Amour online at the retailers below. The really good news is that you pay local freight rather than copping a big postage bill from the UK!

BOOK DEPOSITORY,  AMAZON AUSTRALIAAMAZON US,  AMAZON UK,  BOOKTOPIA,  KINOKUNIYA,  ANGUS & ROBERTSON   

 

 

Cairo Mon Amour gets big surge from Goodreads

 

espionage romance thriller cairoAfter Goodreads giveaways in November, December and January 2018, word is spreading about my espionage romance Cairo Mon Amour. In total, 2597 people entered the giveaways, and 547 have the book on their ‘to read’ list.

I’m planning more giveaways this year, but if you want to skip the line, just click here to find out how to buy a copy.

Sincere thanks to publisher Austin Macauley for organising the December and January giveaways.

How I created my femme fatale

noir, romance book, femme fatale, cairoCairo Mon Amour started out as a noir novel. Whether it ended up as one, you can be the judge. But in the noir tradition, I needed a femme fatale, and that’s why I created Zouzou Paris.

She’s the childhood sweetheart of Pierre Farag, my Armenian-Egyptian private eye. But they’ve been long separated. The sweet girl he knew as a teenager on holidays in Alexandria is now a notorious film actress, protected by powerful men.

But she’s in danger, fearing that a high-ranking official wants her murdered. And that’s how she and Pierre meet again after nearly twenty years – she summons him to her private apartment to ask for his help. He sits agog as she levers off her luxuriant wig, peels off her eyelashes and wipes away the make-up: She’s no longer the hard-bitten Zouzou Paris, but the girl he knew as Aziza Faris, who fluttered her eyelashes at Pierre in their teens.

Well, with a reunion like that, how could I hold back? They’re bound together for life. But first I have to get them out of Egypt. I put them on the last ship to leave Alexandria when the Yom Kippur war breaks out, and then I follow them through France, where they are married – a condition that Zouzou imposes before she will allow Pierre into her bed. There’s a curious reason for her stipulation on wedlock, but you’ll have to read the book to know what it is.

We leave them in exile in 1970s London, both trying to negotiate a city of coin-fed gas meters, evil landladies, cambric bedspreads, and Dixon of Dock Green on the TV.

I’m fascinated with Zouzou – her volatility, her odd wisdom, the depth of her loyalty, her resignation to fate. I purposely didn’t give her a point of view; rather than writing from inside her head, I allowed the layers of her character to build through Pierre’s observations. My aim here -and I think it worked – was for Zouzou to be enigmatic and unpredictable.

A final word on her name: Zouzou is an affectionate version of her real name Aziza. But there’s a connection with a a film that was showing in Cairo around the time the novel is set: Khalli baalak min Zouzou, or ‘watch out for Zouzou’. In the movie, Zouzou is a college student who has to work secretly as a belly dancer to make ends meet – the nice girl with a shameful secret. How could I resist calling my femme fatale anything else? And of course, my Zouzou claims to be half-French, although nobody believes it. The surname Paris is her clumsy attempt at European sophistication, and it’s not so distant from her real family name Faris.

OK, I confess: I’m smitten.

***

You can buy a copy of Cairo Mon Amour here.

Andalus Arabic Choir – Sydney’s best-kept music secret?

arab musicIs the Andalus Arabic Choir Sydney’s best-kept secret? I’ve been listening to Arabic music for decades, but I wasn’t sure what to expect from their annual concert at Sydney Opera House last week.

It was a blast of joy, and a reminder that the heart of multicultural Sydney still throbs. A dozen and a half choristers swayed and sashayed through two sets of songs alongside a world-music flavoured band of piano, oud, qanun, wind, bass and percussion. The names of the singers and the musicians tell a Sydney story – Arab, Italian, Greek, Slav, Dutch, Turkish.

Artistic director Ghada Daher-Elmowy held the performance together, performing several emotion-drenched solos in between exchanging cheerful banter in Arabic and English with the audience.

My favourite song? It had to be Misirlou, sung in Greek and Arabic (as Amal). You may know it from Dick Dale and the Deltones, but there’s an exquisite old Arabic version by Maestro Clovis here which absolutely breaks my heart.

Alf shukr to Andalus for a great night – can’t wait for next year’s concert!

###

You can find out about my novel Cairo Mon Amour here. And it contains lots of references to Arab music!

A ringside seat under the kitchen table

War makes an irresistible setting for fiction, as the never-ending flood of WWII novels and movies shows. Gulf War thrillers are almost a genre in their own right.

The Yom Kippur War has its novels – Herman Wouk and Tom Clancy both weave stories around it. But I wanted to do something different – my novel set during the Yom Kippur War Cairo Mon Amour, is set in Egypt – not Israel.

I felt especially well qualified to write this book: I was a student at Cairo University when the war broke out in October 1973, and I had a ringside seat – or sometimes a seat under the kitchen table when the air-raid sirens went off.

If you can’t remember the main points about this particular conflict, Egypt invaded Sinai to reclaim land lost to Israel in 1967, and Syria attacked the Golan Heights. The conequences of the war included the 1978 Camp David Accords and the final withdrawal of Israel from Sinai in 1982.

What compelled me to write this book was the extraordinary lengths that Egypt went to in concealing the date of the attack. How did President Sadat keep preparations for a massive ground and air attack secret? And how could I spin a story of espionage and romance around this?

Details have emerged in memoirs and works of research: Hospital wards in Cairo were emptied under the pretext of epidemics in anticipation of floods of wounded troops; a military sports carnival was scheduled for the day of the attack; false stories were planted about the attack date. When I did my research, I found so many events that I could dramatise: The sudden evacuation of Soviet families just days before the outbreak of war; the last ship to leave Alexandria, crowded with Americans desperate to get away.

I also wanted to write a very human story, so I created a handful of flawed characters who all have a personal stake in finding out – or concealing – the date when the attack will be launched. We have a Cairo private eye of mixed Armenian and Coptic background; his childhood sweetheart who is now a notorious actress; a Soviet diplomat with divided loyalties; and two British spies who happen to be former lovers.

I made a decision to stick closely to the historical record: The chapters in the first part of the book follow exactly the days just before and after the start of the war. When the Soviet diplomat Zlotnik, drunk in his flat, hears the rumble of the huge Soviet aircraft flying in armaments, it is real; I heard them on that very night myself.

And I tried to capture the day-to-day atmosphere in the streets of Cairo, when, as a British student taking Arabic courses at Cairo University, I found myself in the midst of a populace that swung between elation at the first flush of victory, and distress as  the wounded began to stagger home.

#

An earlier version of the blog article appeared under the title  ‘The Middle East conflict that inspired Cairo Mon Amour’.

Why not sign up for my twice-yearly newsletter and get a free short story The Unmasking of Mr. French.